
Shipping Pottery and Ceramics Without Breakage
A potter's guide to shipping handmade ceramics, mugs, bowls, and vases without damage. Covers packaging techniques, material choices, and how to handle claims when things go wrong.

Shipping Pottery and Ceramics Without Breakage
"I made it. I glazed it. I fired it at 2,300 degrees. It survived all of that. Then UPS dropped it off a truck." That's a comment from a potter on Reddit, and it has 4,000 upvotes because every ceramic artist knows that feeling. You spend hours on a piece — wheel throwing, trimming, bisque firing, glazing, glaze firing — and then you hand it to a shipping carrier and hope for the best.
Hope is not a packaging strategy. But the right technique is. Potters who ship regularly and successfully have damage rates under 3%. The ones who wing it see 15-25% breakage and eventually decide shipping isn't worth it. It is worth it. You just need to pack like someone who knows what a sorting facility does to boxes.
Understanding Ceramic Vulnerability
Not all ceramics break the same way. Understanding how YOUR pieces fail helps you package them better.
Ceramic Types and Fragility
| Type | Firing Temp | Characteristics | Breakage Risk |
|---|---|---|---|
| Earthenware | 1,800-2,100°F | Porous, softer, often decorative | High — chips and cracks easily |
| Stoneware | 2,100-2,300°F | Dense, durable, most functional ware | Medium — handles and rims are weak points |
| Porcelain | 2,300-2,600°F | Very dense, thin walls possible | Medium-High — strong for weight but thin pieces shatter |
| Bone china | 2,200-2,400°F | Very thin, translucent | High — delicate and expensive |
| Raku | 1,800-1,900°F | Porous, decorative only | Very high — structurally weak by design |
| Low-fire decorative | Under 1,800°F | Soft, often painted | Very high — barely survives normal handling |
Where Ceramics Break
The break almost always happens at the weakest structural point:
| Weak Point | Why It Breaks There | Examples |
|---|---|---|
| Handles | Lever action amplifies impact force | Mugs, pitchers, teapots |
| Rims | Thin and exposed | Bowls, plates, vases |
| Spouts | Thin, protruding | Teapots, pitchers |
| Lids | Separate piece that rattles | Sugar bowls, jars, teapots |
| Bases/feet | Contact point during drops | All pottery |
| Thin walls | Less material = less strength | Porcelain, wheel-thrown pieces |
The Packaging Method That Works
After years of trial and error (and too many damage claims), here's the method that consistently delivers under-3% breakage for functional pottery.
Step 1: Stuff the Inside
If the piece is hollow (mugs, bowls, vases), fill the interior with crumpled newspaper or tissue paper. This prevents the walls from flexing inward on impact. A mug with an empty interior is essentially an unsupported cylinder — one good squeeze and the walls crack. A mug stuffed with paper is a solid mass that resists compression.
For teapots and lidded pieces, stuff the body, then wrap the lid separately (see Step 4).
Step 2: Protect the Vulnerable Spots
Before wrapping the whole piece:
- Handles: Wrap the handle independently in a few layers of bubble wrap. Build up the padding so the handle is encased in a cushion of its own. When the package hits the ground, the handle's bubble cocoon absorbs the impact before it reaches the ceramic.
- Spouts: Same treatment as handles.
- Rims: Run a strip of bubble wrap around the rim like a headband.
- Feet/base: A circle of bubble wrap or foam under the base.
Step 3: Wrap the Entire Piece
With the vulnerable spots pre-padded, wrap the entire piece in bubble wrap. Two full layers minimum, three for high-value pieces. Secure with tape.
The final wrapped piece should feel like a soft ball with no hard spots. Run your hand over it. If you can feel the ceramic through the wrap at any point, add another layer there.
Step 4: Handle Multi-Part Pieces
Teapots with lids, sugar bowl sets, cream and sugar pairs — these need individual wrapping.
The rule: no two ceramic surfaces should ever touch each other, even through bubble wrap.
Step 5: The Box
| Piece Type | Minimum Box Clearance (all sides) | Box Type |
|---|---|---|
| Single mug | 2" all sides | Single-wall, 32 ECT |
| Bowl or plate | 2-3" all sides | Single-wall, 32-44 ECT |
| Vase (tall) | 3" all sides | Double-wall for heavy vases |
| Teapot set | 3" all sides | Double-wall, 48 ECT |
| Large platter | 3-4" all sides | Double-wall or box-in-box |
Step 6: Fill Every Void
The wrapped piece goes in the box. Now fill every single gap with cushioning material. Pack it TIGHT. Not so tight that you're putting pressure on the ceramic, but tight enough that the piece cannot shift when you shake the box.
What to use:
| Material | Pros | Cons | Best For |
|---|---|---|---|
| Crumpled kraft paper | Cheap, recyclable, packs tight | Moderate shock absorption | Day-to-day pottery shipping |
| Packing peanuts | Light, decent cushioning | Messy, settles/shifts | Filling large voids in box-in-box |
| Bubble wrap | Excellent cushioning | Not eco-friendly | Direct wrapping and void fill |
| Air pillows | Light, good cushioning | Can pop | Secondary void fill |
| Shredded cardboard | Free if you have a shredder | Inconsistent, heavy | Budget-conscious |
Step 7: The Shake Test
Pick up the sealed box. Shake it side to side, up and down, and rotate it. You should feel nothing moving inside. No rattling, no shifting, no thumping. If anything moves, open the box and add more material.
This test takes five seconds and catches 80% of inadequate packing jobs.
Plates and Flat Ceramics
Plates deserve their own section because they break differently than three-dimensional pieces. A plate lying flat in a box is weak — any pressure on the center can snap it. A plate standing on its edge is strong.
How to Ship Plates
How to Ship a Set of Plates
For a set of dinner plates (4-8 plates):
A flat stack of plates is asking for trouble. A vertical stack is dramatically more resistant to the compression forces in a carrier's truck.
Mugs: The Most Commonly Shipped Pottery Item
Mugs are the bread and butter of online pottery sales, and they're also the item most likely to arrive broken because sellers underestimate the handle vulnerability.
The Mug Packing Sequence
Yes, this is box-in-box for a mug. And yes, it works. Potters who switch to box-in-box for mugs typically see their breakage rate drop from 8-12% to under 2%.
Mug-Specific Shipping Boxes
Several companies sell boxes specifically designed for shipping mugs:
| Supplier | Product | Price Range | Includes Insert? |
|---|---|---|---|
| Uline | Mug shipping boxes | $0.80-1.50 | Some include foam inserts |
| Nashville Wraps | Mug boxes with inserts | $1.00-2.00 | Yes, foam or pulp |
| Custom corrugated (local supplier) | Made to your mug dimensions | $0.50-1.50 (volume pricing) | No |
| Amazon generic | Various mug shipping kits | $1.00-2.50 | Varies |
Insurance and Claims
Carrier Coverage
| Carrier | Included Coverage | Claim Timeline | Notes |
|---|---|---|---|
| USPS Priority Mail | Up to $100 | File within 60 days | Reasonable claim process |
| UPS | Up to $100 | File within 60 days | Requires photos, packaging evidence |
| FedEx | Up to $100 | File within 60 days | Similar to UPS |
Winning a Damage Claim for Pottery
Carriers deny pottery claims more often than other categories because they frequently determine "insufficient packaging." To protect yourself:
Should You Self-Insure?
If your average pottery piece is under $50 and your breakage rate is under 3%, self-insuring (not paying for additional carrier insurance and just replacing broken pieces) might be cheaper than insurance premiums.
The math: 100 shipments × 3% breakage = 3 replacements × $50 = $150 in replacement costs. Versus: 100 shipments × $2 insurance per shipment = $200 in premiums. Self-insuring wins — as long as your packaging is good enough to keep the rate low.
For pieces over $100, always insure. The occasional high-value loss will wipe out any savings from self-insuring.
Eco-Friendly Packaging for Pottery
Many pottery buyers are environmentally conscious. They appreciate sustainable packaging. Here are options that protect AND align with eco values:
| Material | Protection | Eco Rating | Cost |
|---|---|---|---|
| Recycled kraft paper (crumpled) | Good | Excellent | Low |
| Recycled cardboard boxes | Standard | Good | Standard |
| Cornstarch packing peanuts | Good | Excellent (dissolve in water) | Medium |
| Honeycomb paper wrap | Good | Excellent (recyclable) | Medium-High |
| Mushroom packaging (mycelium) | Good | Excellent (compostable) | High |
| Recycled bubble wrap | Excellent | Moderate (still plastic, but recycled) | Medium |
Setting Customer Expectations
One thing experienced pottery sellers do that new sellers skip: they communicate about packaging.
- In your listing: "Each piece is carefully double-boxed with bubble wrap and cushioning for safe transit."
- In your shipping confirmation: "Your pottery is packed with extra protection. If it arrives damaged, contact me immediately with photos and I'll make it right."
- On the box exterior: "Handmade pottery — FRAGILE — Handle with care"
And when damage does happen — because over hundreds of shipments, it will — a seller who responds quickly with a replacement and zero hassle earns a customer for life. Many potters say their best repeat customers are people whose first order arrived broken and was replaced immediately. The recovery experience built more loyalty than a perfect delivery would have.
Pottery is heavy, fragile, and handmade. Every piece carries hours of labor and creative intent. Packaging it right isn't just about preventing damage — it's about respecting the work that went into making it. Take the extra five minutes. Use the extra layer of wrap. Run the shake test. Your art deserves to arrive intact.
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